This also meant that spaces for art opened up late in the project, and it would of sown deeper madness amongst the others if I had delayed things to make sure there was art I felt exactly right for them. The workflow got wack towards the end with bad communication and a sense of urgency that meant I wound up not pushing as hard for things but, art exists external to the creator, so you have to accept that other people are going to like art of yours that you don't super like and they are not MAD.

The 4th obstacle is my own haphazard artistic abilities and having to work around a lack of technical skill with 'dynamic gestures' and pure mutantness.

The 3rd obstacle is Jez doing things irrelevant to the project like other books, sleeping, and having a family. The second biggest obstacle is my amazing ability to not read properly if it's on a computer screen and so having to redo a drawing because I had left something out. Scrap: The biggest obstacle is I would feel I did some fantastic next level shit with an art piece and send it to Patrick and he would say, 'yes this is nice' and I would plot his demise.

Veins of the earth character sheet